The IATEXT is part of the CLARIAH-ES infrastructure, a consortium that brings together the two main research infrastructures in the Humanities and Social Sciences in Europe: CLARIN and DARIAH.

The objective of the CLARIAH-ES network is to promote the participation of Spanish researchers in the European infrastructures CLARIN and DARIAH in order to increase research projects, scientific production and improve national and international positioning in the areas of the Humanities, Arts and Social Sciences.

 On June 15 and 16, 2023, a meeting took place in Alicante with the objective of creating the CLARIAH-ES infrastructure that allowed Spain and its research centers to integrate in the European research infrastructures ERIC together with 20 other EU Member States.

The Doctor and member of the Atlantic History, Heritage and Documentation Division of the University Institute of Textual Analysis and Applications, Manuel Méndez Alonzo has recently published an article in the Regional and Border History Yearbook called «Enslave to settle, educate and evangelize: the theological and legal justification of Chichimec slavery on the northern border of Spanish America in the 16th century.”

The Project  of Digital Humanities of the University Institute of Textual Analysis and Applications,  'Lexical Americanisms in the Spanish and English languages ​​documented in texts about America (1650-1740): development of the AMERLEX database'  it is part of the eight research projects selected in the 2022 call for Knowledge Generation Projects, within the framework of the State Program to Promote Scientific-Technical Research and its Transfer, of the State Plan for Scientific, Technical and Innovation Research 2021-2023.

Doctor of the ULPGC and member of IATEXT, Carmen Márquez Montes has  recently published in The Conversation: “The revolutionary women of the theater by Benito Pérez Galdós".

In this article, Márquez explains and reveals the importance that the Canarian author gave to the female characters in each of his works. It emphasizes that, in terms of Galdós' theatrical production, “seventeen of the twenty-one plays written and premiered were led by women. All of them were characterized by being great defenders of the right of women to develop in life according to their desires.”